Im making a low budget martial arts film with a good camera

topic posted Wed, November 29, 2006 - 6:06 PM by  Brian
Share/Save/Bookmark
Any tips as far as lighting or sound that will save some schillings? Ive seen some pretty useful tricks, does anyone have anything for anything?
posted by:
Brian
Los Angeles
  • Might I suggest storyboarding the living shit out of it. Shoot a couple of taks at least of each shot you want.

    Shoot LOTS, including little bits and pieces.

    Shoot reaction shots of any viewers. You never know when you'll need 'em.

    Shoot unusual shots, such as foot-hits-wall, or head-turning-around. You never know when you might need 'em.

    Don't worry about live sound at all.

    Make a friend who has an up-and-coming rockish band and license one of their faster-paced songs and edit to that song's beat.
    • " Might I suggest storyboarding the living shit out of it."

      Chant with me now:

      B-ROLL! B-ROLL! B-ROLL!
      • you guys rock!!!!!!!!!!!!!!
        • The hong kong guys I've been on the set with have an interesting methodology of coverage. I'm not saying this is the best way - it's what I've seen.

          1. They shoot in order of the fight. Outside DP's hate this for obvious reasons.
          2. They make sure every movie is covered in it's own take, but each shot includes the previous and post few EXCEPT for anything that involves heavy impact or reset.
          3. They shoot this stuff incredibly fast.
          4. And perhaps most important. Everything is based on rythm - like a drumb beat, you could literally score the fight with a drum notation - it's all about the steady beat and hitting the right accents.


          As for lighting - look into kino flows.

          Also - think about renting PRIMER and listening to the comentary as this guy has a lot of great low budget tips and is humble enough to say where he might have made a mistake.

          Goodluck.
          • "They shoot this stuff incredibly fast."

            I acted very briefly in a film made for mainland Chinese TV. And saying that they are "fast" is an understatement. They will shoot around the clock without stopping. The crew guys were very practical; they would set up the scene, props, furniture, lights, etc., then as soon as shooting began, they would immediately close their eyes and take cat naps right on the spot until they were needed for the next set-up.